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Robert Vickrey The Magic of Realism
By Philip Eliasoph
Foreword by Virginia M. Mecklenburg ♦ A comprehensive survey of the 60-year career of a master of tempera painting, an artist who was included in nine Whitney Museum of American Art Annual Exhibitions ♦ 80 color plates show off the brilliant, light-infused compositions of Vickrey's paintings ♦ Monograph places Vickrey in the context of twentieth-century American art Robert Vickrey's unique vision and meticulous, painstaking technique sustained him throughout a sixty-year career. Widely considered to be a master of egg tempera, he used the same labor-intensive medium as Renaissance painters, including Giotto and Cennini. But Vickrey's concerns were distinctly twentieth-century in the subjects and themes he chose, from childhood innocence to the dichotomy of urban versus country living. "A quintessential Realist, Vickrey endeavoured to explore the human condition within a distinctively American environment," writes author Philip Eliasoph, who argues that Vickrey's work built a bridge from Surrealism and New Objectivity to Magic Realism. Described by the New York Times as the "world's most proficient craftsman in tempera painting, [and] an immaculate technician," Vickrey's oeuvre is the "fiercely independent work of one of its most unorthodox and even most daring inventors," according to Eliasoph. Philip Eliasoph is a professor of art history at Fairfield University in Connecticut. Robert Vickrey from Hudson Hills Press on Vimeo.
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