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November 2009
hardcover
ISBN 13: 978-1-55595-199-3
ISBN: 1-55595-199-6
240 pages
9 x 12 in.
23 x 31 cm
311 color plates
201 halftones
US $ 95.00
UK £ 65

Exhibition Details:
Bauhaus 1919 – 1933: Workshops in Modernity
The Museum of Modern Art, New York
November 8, 2009 — January 25, 2010

The Prints of Josef Albers
A Catalogue Raisonné
1915-1976

Brenda Danilowitz and Nicolas Fox Weber

♦ Revised edition featuring 13 newly catalogued prints, updated introductory essay incorporating new scholarship, and up-to-date bibliography and exhibitions list

♦ Publication coincides with celebrating the 90th anniversary of the school and Bauhaus movement in which Albers was a major figure

♦ Important Bauhaus exhibition at New York’s MoMA opening November 2009

One of the great abstract artists and art teachers of the twentieth century, Josef Albers (1888-1976) influenced generations of artists with his color theories. Born in Germany and a leading figure at the Bauhaus from 1929 to 1933, he settled in the United States in 1934, and later taught at Yale University.

As author Brenda Danilowitz writes, “the processes and excitement of printmaking fulfilled many of Albers’s loftiest dreams. He relished its implicit detachment: the way that the medium removed his hand at least one step from the end result. He appreciated the possibilities of texture available, and treasured the multitude of color choices available in ink, a range he often said was far greater than was available with paints.”

This revised catalogue raisonné makes important additions to the record of Albers’s great accomplishment in the print medium, and its arrival is particularly timely this year.

Brenda Danilowitz is chief curator at the Josef and Anni Albers Foundation. She has taught art history at Yale University. Nicholas Fox Weber is executive director of the Albers Foundation.

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