November 2009 hardcover ISBN 13: 978-1-55595-199-3 ISBN: 1-55595-199-6 240 pages 9 x 12 in. 23 x 31 cm 311 color plates 201 halftones US $ 95.00 UK £ 65
Exhibition Details:
Bauhaus 1919 – 1933: Workshops in Modernity
The Museum of Modern Art, New York
November 8, 2009 — January 25, 2010 |
The Prints of Josef Albers A Catalogue Raisonné 1915-1976
Brenda Danilowitz and Nicolas Fox Weber
♦ Revised edition featuring 13 newly catalogued prints, updated
introductory essay incorporating new scholarship,
and up-to-date bibliography and exhibitions list
♦ Publication coincides with celebrating the 90th anniversary
of the school and Bauhaus movement in which Albers
was a major figure
♦ Important Bauhaus exhibition at New York’s MoMA
opening November 2009
One of the great abstract artists and art teachers of the twentieth century,
Josef Albers (1888-1976) influenced generations of artists with his color
theories. Born in Germany and a leading figure at the Bauhaus from
1929 to 1933, he settled in the United States in 1934, and later taught at
Yale University.
As author Brenda Danilowitz writes, “the processes and excitement of
printmaking fulfilled many of Albers’s loftiest dreams. He relished its
implicit detachment: the way that the medium removed his hand at least
one step from the end result. He appreciated the possibilities of texture
available, and treasured the multitude of color choices available in ink,
a range he often said was far greater than was available with paints.”
This revised catalogue raisonné makes important
additions to the record of Albers’s great accomplishment
in the print medium, and its arrival is
particularly timely this year.
Brenda Danilowitz is chief curator at the Josef and
Anni Albers Foundation. She has taught art history at
Yale University. Nicholas Fox Weber is executive director
of the Albers Foundation.
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